Carlos Villaluz Francisco Essay Example for Free

Carlos Villaluz Francisco Essay Carlos Villaluz Francisco, born in 1914, was the son of Felipe Francisco and Maria Villaluz of Angono, Rizal. Francisco studied at the University of the Philippines (UP) School of Fine Arts. Before the war, he did illustrations for the Tribune and La Vanguardia, and later, with Victorio Edades and Fermin Sanchez painted sets for the Manila Grand Opera House, and the Clover Theater. He was also a member of the â€Å"Thirteen Moderns† a group formed in 1938. After WWII, Francisco taught at the University of Santo Tomas, simultaneously working in film-making with Miguel conde, as the scriptwriter for â€Å"Ghenghis Khan, Putol na Kampilan† (Broken Sword) and â€Å"Tatlong Labuyo,† (Three Wild Roosters). He also designed costumes for â€Å"Romeo at Julieta,† (Romeo and Juliet) as well as â€Å"Prinsipe Tenoso,† (Prince Tenoso) â€Å"Ibong Adarna,† (Adarna Bird), â€Å"Siete Infantes de Lara,† and the Juan Tamad series. Francisco belonged to the first generation modernists who, with Edades and Galo B.  Ocampo, constituted the pioneering triumvirate which attempted to change the direction of Philippine art from the tenacious influence of the Amorsolo school in new and fresh idioms of visual expression. In the struggle for modern art, Francisco was one of the artists/protagonists in the center of the fray. His painting :Kaingin† (Swidden), a modernist composition with strong design and rhythm, won him the first prize in the historic first national art exhibition of the Art Association of the Philippines (AAP) held at the National Museum in 1948. Francisco, along with Edades and Ocampo were commissioned to do a number of murals for lobbies and for private residences such as that of the architect Juan Nakpil. These murals featured stylized figures in flowing curvilinear lines: nymphs dancing or playing the flute, often against a background of tropical vegetation. Through these works, the artists contributed towards developing a Filipino imagery, drawing inspiration from the the customs and traditions of the Philippine people, as well as from familiar environments. In the quest for a Filipino modernist idiom, Francisco, who chose to be based in his fishing village of Agono, observed Philippine folk aesthetics and researched Philippine histon,, customs, and traditions. He arrived at an idiom which was both Filipino and Asian. Francisco employed bold folk colors, flowing rhythmic lines and decorative patterns often covering the entire field of the painting. He evoked the communal life of Philippine gatherings and celebrations. His images of women were drawn from mythology. uch as Mariang Makiling; from history and legend, such as Princesa Urduja; from customs of the past, such as the maiden carried on a hammock across the mountain in Antipolo; and from contemporary folk, such as the woman preparing fish for sinigang. Fisherfolk were among his favorite subjects since he lived in a fishing village. He showed his closeness to the folk in paintings such as the â€Å"Camote Eaters,† his last and unfinished work. Francisco’s first important mural was done for the 1953 International Fair held in Manila. On the theme of 500 years of Philippine History, its scope covered the legendary origin of the Filipino with the first man and woman Malakas and Maganda springing from the primal bamboo, up to the administration of then incumbent President Elpidio Quirino. The mural was finely executed in wood by the Paete woodcarvers. Foreign visitors to the Fair were impressed by Francisco’s mural which received full Newsweek, but local sentiment was lukewarm and the work was promptly carelessly disposed of after the fair. Francisco’s major masterpiece is the mural for the Bulwagang Katipunan of the Manila City Hall, commissioned by Manila mayor Antonio Villegas during his administration. â€Å"Filipino Struggles through History† chronicles the history of Manila from the first great Rajahs of Tondo, the Spanish colonial period, Balagtas, Rizal and the Revolution of 1896, up to the American colonial period which becomes the history of the entire nation itself. In this work Francisco often integrated several historical episodes, in smaller scale, under one period. The episode groups, however, are not static but flow into each other by means of various linking devices, such as a winding river, flames branching out, or clouds coiling in spirals. The murals are marked by artistic vigor and inexhaustible inventiveness, a lively characterization of the numerous historical figures, and unifying all, a strong sense of design. Andres Bonifacio’s figure makes a compelling visual impact as he is shown forging forward, leading the Katpunero with their long bamboo spears, rifles, and bolos. Among the many dynanic scenes is the encounter between Limahong and the Spanish soldiers as they thrust their weapons at each other. A smaller mural is the Pageant of Commerce in four sections: two sides on the history of Philippine trade, from commercial relations with China and Arabia to the Manila Acapulco alleon trade: a section on the development of modern industry in factories, travel and communication; and the central one of a Filipino couple in native costume, the woman slipping a coin into a bamboo alkansya, with the spirit of commerce hovering above. Francisco also did the murals on the Life and Miracles of St Dominic for Santo Domingo Church, 1954; and the Stations of the Cross for Far Eastern University, 1956. He worked with Victorio Edades and Galo B.  Ocampo on the mural of Rising Philippines for the Capitol Theater and murals for the Golden Gate Exposition, the State Theater, the houses of Pres Manuel Quezon, Ernesto Rufino, and Vicente Rufino. Francisco’s Kaingin won first prize in the 1948 painting competition of the Art Association of the Philippines. He received the Patnubav ng Sining at Kalinangan Award from the City of Manila in 1964. He was proclaimed National Artist in painting in 1973. Carlos Villaluz Francisco. (2016, Dec 12).

Importance Of Nursing Communication Skills Essay

Importance Of Nursing Communication Skills - Essay Example Haag-Heltman, B. and George, V. (2010, p.15) cited the purpose to be â€Å"an ethical framework from which all other standards might flow.† That framework included relationships between nurses and patients, between nurses and the medical profession, between nurses and allied professions, relationships among nurses, aside from the relationship of a nurse to the nursing industry. Effective communication will be the means to achieving good relationships in order to achieve the goal of quality health care and safety, As a matter of fact, Webb, L. (2011, p.3) emphasized the importance of communications to the Nursing and Midwifery Council (NMC) of UK by stating that NMC 2010 considers communication as â€Å"one of the essential skills that students must acquire in order to make progress through their education and training to become qualified nurses†. It is in itself a part of the therapeutic process whenever proper communications are done. And this is because of the many benefits a patient can derive out of the effective communication of a nurse. Among these benefits, Webb, Lucy (2010) listed (a) the opportunity for patients to become open in expressing themselves to let nurses know about their emotional and physical needs, (b) the winning of patient involvement by encouraging them to ask questions in order to eventually arrive at quality care, (c) the empowerment of patients to have some control over the process of recovery, and (d) facilitation of patient compliance as a result of gainin g trust and confidence, and more. III. Active Listening Theories and Practices Wolvin, A.D. (2011, p.19) discussed an â€Å"Engagement Theory of Learning† which implies the presence of an active listener’s willingness to listen. This is assumed often when two people are communicating. And because a human being is rational, there are reasons why persons become willing enough to actively listen. That theory highlights the importance of willingness to li

MHE503 Survey of Emergency and Disaster Mgt Module 1 Case Essay

MHE503 Survey of Emergency and Disaster Mgt Module 1 Case - Essay Example Tsunamis are undersea-bed earthquakes that create a great effect on the water above the surface. However, in the case of the Indian Ocean tsunami of 2004, there were no specific indications that something was already happening in the seabed. This is the reason why it was not that easy for the resort goers to immediately flee from the area towards a safer place. They were all caught in surprise when the water waves began splashing huge amounts of water to the sea shore killing hundreds of people who were just sitting and resting around the area. The waves were big and disastrous along with the mixed heavy winds that it comes along with. The complete disaster was even forcefully controlled by the unwillingness of some to flee away from their houses near the sea area believing that this was just a simple sea wave change. Little did these people know that this was a huge tragedy that waits to devastate their lives. Besides the natural reaction of the earth from heating up, the human works of denuding the forests made it harder for nature to control the situation itself. Apparently, the reduction of such trees limited the possibility and the capability of the warmed up earth to cool itself down. Besides this, the lack of signs from the actual behaviour of the sea from where the tsunamis are already happening below its sea bed made it hard for the people to tell that something wrong was going to happen. The bubbling or frothing of the sea at the top portion which is seen by the people has not happened and was not able to signal the people around. Basically, caused by the imbalance in nature, even this warning was not undergone properly by the process that was supposed to give a cue as to what was going to happen next. The incapability of the people to tell made the disaster even more tragic for the human population living within the areas affected. As seen from the television news, some of the tourists were even enjoying the cool breeze of the air when the waves suddenly turned gigantic eating them out from the seashore towards the sea's center turbulent area. Without the capability of the earth to support the need of limiting such disasters from happening, the earthquake lasted for at least several minutes that were enough to kill thousands within Thailand, Indonesia and Sri Lanka. This disaster reminds people at present that apparently, too much development may cause devastation on the capability of the earth to heal itself. No matter how prepared people could be, no matter how knowledgeable they may seem about the occurrence of such devastating events in the natural environment, it could not be denied that the imbalance of the earth's temperature and composition makes all these efforts of being prepared worthless. This is the reason why the Hokkaido incident was less damaging compared to the properties lost and the lives that were taken from that of the occurrence of the Indian Ocean earthquake of 2004. What mitigation and/or